Susie Hamilton
ON MARGATE SANDS, 2018
Signed full colour on 200gsm silk paper, thread-sewn paperback book
Published by The Wind in the Trees
Published by The Wind in the Trees
84 pages
21 x 16 cm
21 x 16 cm
Copyright The Artist
Further images
-
(View a larger image of thumbnail 1
)
-
(View a larger image of thumbnail 2
)
-
(View a larger image of thumbnail 3
)
-
(View a larger image of thumbnail 4
)
-
(View a larger image of thumbnail 5
)
-
(View a larger image of thumbnail 6
)
-
(View a larger image of thumbnail 7
)
-
(View a larger image of thumbnail 8
)
-
(View a larger image of thumbnail 9
)
-
(View a larger image of thumbnail 10
)
Click to buy ‘ON MARGATE SANDS' takes its inspiration from At the Violet Hour, a 2018 exhibition at Nayland Rock Hotel, Margate, next to the bus shelter where Eliot wrote...
Click to buy
‘ON MARGATE SANDS' takes its inspiration from At the Violet Hour, a 2018 exhibition at Nayland Rock Hotel, Margate, next to the bus shelter where Eliot wrote part of The Waste Land. For this show Susie hung over eighty works from floor to ceiling in Room 416: paintings and drawings which respond to the fragmented and diverse nature of the poem and range from depictions of the sordid to the luminous, from the gloom of Hades or The City of London to the light of ‘the hyacinth garden’. The book also includes examples of earlier work since The Waste Land is a presence in many of her former series: solitary figures in wilderness, figures with shadows, wanderers in mountains, figures on beaches and paintings based on The Tempest.
‘ON MARGATE SANDS' takes its inspiration from At the Violet Hour, a 2018 exhibition at Nayland Rock Hotel, Margate, next to the bus shelter where Eliot wrote part of The Waste Land. For this show Susie hung over eighty works from floor to ceiling in Room 416: paintings and drawings which respond to the fragmented and diverse nature of the poem and range from depictions of the sordid to the luminous, from the gloom of Hades or The City of London to the light of ‘the hyacinth garden’. The book also includes examples of earlier work since The Waste Land is a presence in many of her former series: solitary figures in wilderness, figures with shadows, wanderers in mountains, figures on beaches and paintings based on The Tempest.
Join our mailing list
* denotes required fields
We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.