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Petra BörnerFlouro, Face Paint (profile), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Signed, titled and numbered 5/10 35aPetra Börner, Flouro, Face Paint (profile), 2024£ 600.00 -
Petra BörnerGold, Face Paint (profile), 2024Screenprint and mixed media on paperSheet size 51 x 40.5 cm
Frame size 56 x 44 cm
Signed, titled and numbered 2/10 35aPetra Börner, Gold, Face Paint (profile), 2024£ 840 inc. VAT framed -
Petra BörnerHeat, Face Paint (hand), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Series: 8/10 39aSigned, titled and numbered 8/10 39aPetra Börner, Heat, Face Paint (hand), 2024£ 600.00 -
Petra BörnerMoonray, Face Paint (profile), 2024Screenprint and mixed media on paperSheet size 51 x 40.5 cmSigned, titled and numbered 4/10 35aPetra Börner, Moonray, Face Paint (profile), 2024£ 600.00
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Petra BörnerNovo, Face Paint (hand), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Signed, titled and numbered 9/10 39aPetra Börner, Novo, Face Paint (hand), 2024£ 600.00 -
Petra BörnerOrangechalk, Face Paint (profile), 2024Screen-print on mixed media (acrylic paint on varied paper)51 x 40.5 cm
Series: 9/10 35aSigned, Titled and NumberedPetra Börner, Orangechalk, Face Paint (profile), 2024Sold -
Petra BörnerOrangeeye, Face Paint (hand), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Signed, titled and numbered 7/10 39aPetra Börner, Orangeeye, Face Paint (hand), 2024£ 600.00 -
Petra BörnerParty, Face Paint (hand), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Signed, titled and numbered 4/10 39aPetra Börner, Party, Face Paint (hand), 2024£ 600.00 -
Petra BörnerPinkcloud, Face Paint (profile), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Signed, titled and numbered 10/10 35aPetra Börner, Pinkcloud, Face Paint (profile), 2024£ 600.00 -
Petra BörnerPurple, Face Paint (hand), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Series: 2/10 39aSigned, titled and numbered 2/10 39aPetra Börner, Purple, Face Paint (hand), 2024£ 600.00 -
Petra BörnerRedGreen, Face Paint (hand), 2024Screenprint and mixed media on paperSheet size 51 x 40.5 cmSigned, titled and numbered 1/10 39aPetra Börner, RedGreen, Face Paint (hand), 2024£ 600.00
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Petra BörnerSky, Face Paint (profile), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Signed, titled and numbered 1/10 35aPetra Börner, Sky, Face Paint (profile), 2024£ 600.00 -
Petra BörnerStrobe, Face Paint (profile), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Signed, titled and numbered 3/10 35aPetra Börner, Strobe, Face Paint (profile), 2024£ 600.00 -
Petra BörnerTriko, Face Paint (profile), 2024Screenprint and mixed media on paperSheet size 51 x 40.5 cmSigned, titled and numbered 7/10 35aPetra Börner, Triko, Face Paint (profile), 2024£ 600.00
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Rachel HowardPorphura, 2011Silkscreen on Somerset Tub Sized85 x 61 cm
Edition of 75Signed and numberedRachel Howard, Porphura, 2011£ 600.00 -
Ray RichardsonClobber, 20152 colour reduction linocut on Japanese Ho Sho paper15 x 40 cmEdition of 30Signed and numberedRay Richardson, Clobber, 2015£ 400.00
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Ray RichardsonThis Sporting Life, 2015Etching with sugar lift aquatint on copper hand coloured by artist on Hahnemuhle Etching 300gsm paper20 x 40 cm
Edition of 30Signed, titled and numberedRay Richardson, This Sporting Life, 2015£ 360.00 -
Ray Richardson‘Ansome, 2015Etching with aquatint on copper hand coloured by artist on Hahnemuhle Etching 300gsm paper. Signed, numbered and titled35 x 35 cm
Edition of 30Ray Richardson, ‘Ansome, 2015£ 360.00 -
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Ray RichardsonDon’t make me Laugh, 1991Etching on Hahnemuhle Etching 300gsm paper30.5 x 25.5 cmEdition of 40Signed, titled and numberedRay Richardson, Don’t make me Laugh, 1991£ 480.00
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Ray RichardsonEastenders, 1991Hand-painted etching on Hahnemuhle Etching 300gsm paper30.5 x 25.5cmEdition of 40Signed, titled and numberedRay Richardson, Eastenders, 1991£ 480.00
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Ray RichardsonThe Hat Caper, 1990Hand-painted etching on Hahnemuhle Etching 300gsm paper45 x 38 cm
17.7 x 15 inEdition of 40Signed, titled and numberedRay Richardson, The Hat Caper, 1990£ 520.00 -
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Reece JonesDoes A One Legged Duck Swim In Circles? II, 2015Hand pressed linocut on off-white Zerkall paper. Signed and numberedSheet size: 38 x 27 cm
Edition of 20Reece Jones, Does A One Legged Duck Swim In Circles? II, 2015£ 360.00 -
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Robert CrumbHell Hound On My Trail, 2004Screenprint
Framed73.8 x 56 cm
29.1 x 22 inEdition 184/250Signed and numberedRobert Crumb, Hell Hound On My Trail, 2004Sold -
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Said AdrusZeitgeist, 2022Silkscreen on paper55 x 64 cmEdition of 40 plus 10 artist's proofsSigned and numberedSaid Adrus, Zeitgeist, 2022£ 480.00
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Sarah Hardacre"Oh well, as the poet once said, 'is all that we think or seem but a dream within a dream…?'", 2026Glazed china with gold luster and overglaze transfer print20 x 16 x 2.5 cmSarah Hardacre, "Oh well, as the poet once said, 'is all that we think or seem but a dream within a dream…?'", 2026£ 360.00
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Sarah HardacreIn her brooding eyes a hint of musical tragedy might well be lurking, 2026Glazed china with overglaze transfer printEach plate 30 x 30 x 2.5 cmSarah Hardacre, In her brooding eyes a hint of musical tragedy might well be lurking, 2026Sold
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Sarah HardacreIt’s a comfort to feel that life doesn’t run through us like it runs through most people, 2026Glazed china and overglaze transfer print31 x 21 x 2.5 cmSarah Hardacre, It’s a comfort to feel that life doesn’t run through us like it runs through most people, 2026£ 480.00
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Sarah HardacreThe spaced-out, dandelion-headed girl with no allegiance to the flag of straight morality, 2026Decal on china ceramic teapot19 x 18 x 8 cm (including lid)Sarah Hardacre, The spaced-out, dandelion-headed girl with no allegiance to the flag of straight morality, 2026£ 360.00
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Sarah HardacreWhere wealthy young ladies dwell in luxurious squalor, 2026Glazed china with overglaze transfer print27 x 27 x 3 cmSarah Hardacre, Where wealthy young ladies dwell in luxurious squalor, 2026£ 480.00
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Sarah HardacreWe Delight in the Beauty of the Butterfly, but Rarely Admit the Changes it has Gone Through to Achieve that Beauty, 2023Digital Ink Jet Print133 x 63.5 cmEdition of 25Signed and numbered on the versoSarah Hardacre, We Delight in the Beauty of the Butterfly, but Rarely Admit the Changes it has Gone Through to Achieve that Beauty, 2023£ 480.00
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Sarah HardacreA Bittersweet Reminder of the Flowers They Could've Been, 2021Paper Collage: digital print of an internet image and House of St Barnabas interior29 x 17.5 cmSigned, titled and datedSarah Hardacre, A Bittersweet Reminder of the Flowers They Could've Been, 2021£ 960.00
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Sarah HardacreAll my eye and Betty Martin, 2021Paper Collage: digital print of an internet image and House of St Barnabas interior
29 cm x 36.5 cm
Framed 60 x 42.5 cmSarah Hardacre, All my eye and Betty Martin, 2021£ 1,200 inc. VAT framed -
Sarah HardacreI Didn't Know You Could Read Margaret, 2021Paper collage: digital print of an internet image and House of St Barnabas interior30 x 21 cm
Framed 41 x 32.5 cmSigned, titled and dated on versoSarah Hardacre, I Didn't Know You Could Read Margaret, 2021£ 1,200 inc. VAT framed -
Sarah HardacreI Know I've Done Some Foolish Things, 2021InkjetSheet size: 74.5 x 45.5cmEdition of 50 plus 7 artist's proofsSigned, titled and datedSarah Hardacre, I Know I've Done Some Foolish Things, 2021£ 480.00
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Sarah HardacreI Think What My Mother Thought, 2021Paper Collage: digital print of an internet image and House of St Barnabas exterior46 x 28.5 cm
Framed 57 x 40 cmSigned titled and dated on versoSarah Hardacre, I Think What My Mother Thought, 2021£ 1,200 inc. VAT framed -
Sarah HardacreI was hit by arrows from everywhere, 2021Paper Collage: digital print of an internet image and House of St Barnabas interior.29.5 x 21cmSigned, titled and datedSarah Hardacre, I was hit by arrows from everywhere, 2021£ 960.00
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Sarah HardacreSomeone has to make the dinners and sort the socks, 2021Paper Collage: digital print of an internet image and House of St Barnabas interior40 x 29 cm
Framed 60 x 42.5 cmSigned, titled and datedSarah Hardacre, Someone has to make the dinners and sort the socks, 2021£ 1,200 inc. VAT framed -
Sarah HardacreThe Country airs could indeed have circulated with a reasonably Vigorous freedom, 2021Paper Collage: digital print of an internet image and House of St Barnabas interior30 cm x 16.5 cm
Framed 45.5 x 36 cmSigned, titled and datedSarah Hardacre, The Country airs could indeed have circulated with a reasonably Vigorous freedom, 2021£ 1,200 inc. VAT framed -
Sarah HardacreThe people who were close to her struggled to describe her. Nobody could quite keep the fantasy and the reality of her in their heads at the same time, 2021Paper Collage: digital print of an internet image and House of St Barnabas interior
20.5 x 27 cmSigned, titled and datedSarah Hardacre, The people who were close to her struggled to describe her. Nobody could quite keep the fantasy and the reality of her in their heads at the same time, 2021£ 960.00 -
Sarah Hardacre"Feast your eyes”, she said victualling visually, 2020Paper collage17.7 x 23.7cmSigned, titled and datedSarah Hardacre, "Feast your eyes”, she said victualling visually, 2020£ 480.00
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Sarah Hardacre'I Don’t Know What I Want to be and I’m Still Not Sure of What I am’, 2020Paper collage: magazine cutting, digital print of a photographic slide and G.F. Smith Gmund Action Alpine Sparkling Water 310gsm paper.
Mobberley Tower, The University of Manchester, Oxford Road
Architects: J.S. & J.W. Beaumont Built: 1960-1965
Penthouse: Vol. 2 No. 1, September 1966
Model: Amber Dean-Smith30 x 25.5cmSigned, titled and datedSarah Hardacre, 'I Don’t Know What I Want to be and I’m Still Not Sure of What I am’, 2020£ 840.00 -
Sarah Hardacre'I Mean, I think I’m Worth It N’est-Ce-Pas?', 2020Paper collage: photographic print of an archive slide, magazine double page spread.
'Maisonettes on the roof of the north section of the Manchester Arndale Centre, photographed in May 1985. The architect for the centre was Wilson & Womersley'
Cromford Court, Manchester
Penthouse: Vol. 9 No. 1, 1974
Model: Marie Ekorre22.7 x 34.1 cmSigned, titled and datedSarah Hardacre, 'I Mean, I think I’m Worth It N’est-Ce-Pas?', 2020£ 840.00 -
Sarah Hardacre'Tradition Has It that Man does Better to Rely on Evidence of His Eyes and the Judgement of His More Prosaic Senses', 2020Paper collage: photographic print of an archive slide image, magazine centrefold.
'Deck access flats and maisonettes, Hulme, 1972'
Penthouse: Vol. 2 No.1, 1966
Model: Amber Dean-Smith41.8 x 27.8 cmSigned, titled and datedSarah Hardacre, 'Tradition Has It that Man does Better to Rely on Evidence of His Eyes and the Judgement of His More Prosaic Senses', 2020£ 960.00 -
Sarah Hardacre, A loving and candid tribute, 2020£ 480.00
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Sarah HardacreA man needs a good reason to walk a mile, 2020Paper collage17.6 x 18.4cmSigned, titled and datedSarah Hardacre, A man needs a good reason to walk a mile, 2020£ 480.00
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Sarah Hardacre, A Stunning Evocation, 2020£ 500.00
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Sarah Hardacre, A Subtle Suggestion, 2020£ 500.00
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Sarah HardacreA volatile and observably voluptuous example of Volvos and smorgasbord rolled into one, 2020Paper collage38 x 33.1cmSigned, titled and datedSarah Hardacre, A volatile and observably voluptuous example of Volvos and smorgasbord rolled into one, 2020£ 500.00
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Sarah Hardacre, An Exposure So Haunting, 2020£ 500.00
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Sarah HardacreAnother way is to relax, and let life flow past you, 2020Paper collage15.2 x 21.9 cmSigned, titled and datedSarah Hardacre, Another way is to relax, and let life flow past you, 2020£ 480.00
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Sarah HardacreAt some point the girls had taken over, 2020Paper collage18 x 26.2cmSigned, titled and datedSarah Hardacre, At some point the girls had taken over, 2020£ 480.00
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Sarah Hardacre, Crystal Vanilla, 2020£ 480.00
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Sarah HardacreDisplaying a Rhythmic Range of Tones that Run Effortlessly Together to Form a Perfect Harmony Between Body and Soul, 2020Paper collage: magazine cutting, digital print of an archive slide and G.F. Smith Peregrina Magestic Petal 310gsm paper.
'Manchester Polytechnic's John Dalton Building on Oxford Road in 1991.'
Architect: W. Hepple of the City Architects Department
Built: 1974
Penthouse: Vol. 2 No. 5, November 1967
Model: Melanie Topping41.5 x 29.7 cmSigned, titled and datedSarah Hardacre, Displaying a Rhythmic Range of Tones that Run Effortlessly Together to Form a Perfect Harmony Between Body and Soul, 2020£ 960.00 -
Sarah HardacreDo you want this to happen to you, 2020Paper collage15.4 x 19.4cmSigned, titled and datedSarah Hardacre, Do you want this to happen to you, 2020£ 480.00
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Sarah HardacreEverything is removed with a triumphant flourish, 2020Paper collage.18.9 x 29.5 cm
Framed 21.5 x 32 cmSigned, titled and dated.Sarah Hardacre, Everything is removed with a triumphant flourish, 2020Sold -
Sarah HardacreFinance ministers apart, how can we encourage Franco to step up his export drive?, 2020Paper collage28.8 x 38.9cmSigned, titled and datedSarah Hardacre, Finance ministers apart, how can we encourage Franco to step up his export drive?, 2020£ 500.00
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Sarah HardacreFor devotees of “It’s a Man’s World” department, what more could we ask in the way of Instant Courage?, 2020Paper collage30 x 22.5 cmSigned, titled and datedSarah Hardacre, For devotees of “It’s a Man’s World” department, what more could we ask in the way of Instant Courage?, 2020£ 500.00
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Sarah Hardacre, Glamorous Peregrinations, 2020£ 480.00
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Sarah HardacreHer tall form languidly arose and stood erect, 2020Paper collage41.9 x 27.7cmSigned, titled and datedSarah Hardacre, Her tall form languidly arose and stood erect, 2020£ 500.00
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Sarah HardacreI will kiss, from one end to the other, the long dark waves spreading from thy neck, o sweet bird, captive dove, whose heart bounds beneath my hand, 2020Paper collage18.3 x 36.5 cm
Framed 21 x 39 cmSigned, titled and dated.Sarah Hardacre, I will kiss, from one end to the other, the long dark waves spreading from thy neck, o sweet bird, captive dove, whose heart bounds beneath my hand, 2020£ 600 inc. VAT framed -
Sarah HardacreI Sort of Sang My Way Around the World, 2020Paper collage: digital print of an archive slide, magazine cutting, G.F. Smith Peregrina Majestic Sand 310gsm paper.
Coverdale Crescent, Ardwick, 1970-72. AKA 'Fort Ardwick': Manchester City Architects Department. Bison System Build (prefabricated concrete).
Penthouse, Vol. 8 No. 2, 1973
Model: Linda Diane29.5 x 29.7 cmSigned, titled and datedSarah Hardacre, I Sort of Sang My Way Around the World, 2020£ 840.00 -
Sarah HardacreIn all the world there’s only one of me, 2020Paper collage30.1 x 22.6cmSigned, titled and datedSarah Hardacre, In all the world there’s only one of me, 2020£ 500.00
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Sarah Hardacre, Jacqueline is an ambition, 2020£ 480.00
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Sarah HardacreMore running feet than the rest of Britain combined, 2020Paper collage29.4 x 21.7 cm
Framed 32 x 24 cmSigned, titled and datedSarah Hardacre, More running feet than the rest of Britain combined, 2020Sold -
Sarah Hardacre, No Mere Orthodox Ornament, 2020£ 500.00
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