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Peter BlakeLove Me Tender, 2003Silkscreen on bright white Colorplan 700gsm, diamond dust
Signed, numbered and titled.75 x 57.8 cm
Edition of 60Peter Blake, Love Me Tender, 2003£ 3,000.00 -
Peter DoigBrixton Ritzy, 2023Inkjet Photo Rag 308gsmSheet size: 101.5 x 71.5cmEdition of 150Signed and numberedPeter Doig, Brixton Ritzy, 2023£ 2,640.00
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Peter SavileWaste Painting #10.1, 2003-2019Inkjet120 x 92.35 cmEdition of 10Accompanied by a signed and numbered certificate£ 9,600.00 inc vat framed
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Peter SavilleUnknown Pleasure, acetate based chrome effect paint. Unique, 2015Resin, Polyurethane Paint. Unique. Accompanied by a certificate of authenticity32 x 32 x 14cm
12.6 x 12.6 x 5.5 -
Peter SavilleFlat Pack Plinth, 2013‘Do It’ version. White-centred display board. Edition of 150. Accompanied by a signed and numbered certificate.96 x 35 x 35 cm
37.8 x 13.8 x 13.8 inEdition of 150Peter Saville, Flat Pack Plinth, 2013£ 250.00 -
Peter SavilleMum and Dad, 2012Neon, Perspex case. The handwriting is of Peter Saville's mother and father. Unique to the collector's own mother and father.48.8 x 42.5 x 12.65 cm
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Peter SavilleWaste Painting #11.1, 2003-2019Inkjet99 x 183 cmAccompanied by a signed certificate£ 24,000.00 ex. VAT framed
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Peter SavilleWaste Painting #5.1, 2003-2019Inkjet on Canson Infinity Platine fibre rag mounted on aluminium and faced with Diasec99 x 183 cmAccompanied by a signed certificate£ 24,000.00
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Peter SavilleWaste Painting #3.1, 2003 - 2019Inkjet118 x 89 cm
Edition of 25Accompanied by a signed and numbered certificate£ 4,200.00 inc vat unframed -
Peter SavilleNow That I've Mastered Technique, How Do I Decide What To Paint (blue) , 2003Cellulose on mirror
150 x 95mmEdition of 20The edition of 20 was never fabricated in full. We believe that 5 were made from the editionPeter Saville, Now That I've Mastered Technique, How Do I Decide What To Paint (blue) , 2003£ 960.00 -
Peter SavilleNow That I've Mastered Technique, How Do I Decide What To Paint (brown) , 2003Cellulose on mirror
150 x 95mmEdition of 20The edition of 20 was never fabricated in full. We believe that 5 were made from the editionPeter Saville, Now That I've Mastered Technique, How Do I Decide What To Paint (brown) , 2003£ 960.00 -
Peter SavilleNow That I've Mastered Technique, How Do I Decide What To Paint (clear) , 2003Cellulose on mirror
150 x 95mmEdition of 20The edition of 20 was never fabricated in full. We believe that 5 were made from the editionPeter Saville, Now That I've Mastered Technique, How Do I Decide What To Paint (clear) , 2003£ 960.00 -
Peter SavilleNow That I've Mastered Technique, How Do I Decide What To Paint (copper) , 2003Cellulose on mirror
150 x 95mmEdition of 20The edition of 20 was never fabricated in full. We believe that 5 were made from the editionPeter Saville, Now That I've Mastered Technique, How Do I Decide What To Paint (copper) , 2003£ 960.00 -
Peter SavilleNow That I've Mastered Technique, How Do I Decide What To Paint (grey ), 2003Cellulose on mirror
150 x 95mmEdition of 20The edition of 20 was never fabricated in full. We believe that 5 were made from the editionPeter Saville, Now That I've Mastered Technique, How Do I Decide What To Paint (grey ), 2003£ 960.00 -
Peter SavilleWaste Painting #8.10, 1998 - 2019Inkjet120 x 96 cmEdition of 10Accompanied by a signed and numbered certificate£ 9,600.00 ex. VAT framed
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Petra BörnerBluebrow, Face Paint (hand), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Signed, titled and numbered 6/10 39aPetra Börner, Bluebrow, Face Paint (hand), 2024£ 600.00 -
Petra BörnerBlushhh, Face Paint (hand), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Signed, titled and numbered 3/10 39aPetra Börner, Blushhh, Face Paint (hand), 2024£ 600.00 -
Petra BörnerBrownstripe, Face Paint (profile), 2024Screenprint and mixed media on paperSheet size 51 x 40.5 cm
Frame size 56 x 44 cmSigned, titled and numbered 8/10 35aPetra Börner, Brownstripe, Face Paint (profile), 2024£ 840 inc. VAT framed -
Petra BörnerBugg, Face Paint (hand), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Mounted on acid-free board
Signed, titled and numbered 5/10 39aPetra Börner, Bugg, Face Paint (hand), 2024£ 600.00 -
Petra BörnerChloro, Face Paint (profile) , 2024Screen-print on mixed media (acrylic paint on varied paper)
Framed51 x 40.5 cm
Series: 6/10 35aSigned, Titled and NumberedPetra Börner, Chloro, Face Paint (profile) , 2024Sold -
Petra BörnerFlouro, Face Paint (profile), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Signed, titled and numbered 5/10 35aPetra Börner, Flouro, Face Paint (profile), 2024£ 600.00 -
Petra BörnerGold, Face Paint (profile), 2024Screenprint and mixed media on paperSheet size 51 x 40.5 cm
Frame size 56 x 44 cm
Signed, titled and numbered 2/10 35aPetra Börner, Gold, Face Paint (profile), 2024£ 840 inc. VAT framed -
Petra BörnerHeat, Face Paint (hand), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Series: 8/10 39aSigned, titled and numbered 8/10 39aPetra Börner, Heat, Face Paint (hand), 2024£ 600.00 -
Petra BörnerMoonray, Face Paint (profile), 2024Screenprint and mixed media on paperSheet size 51 x 40.5 cmSigned, titled and numbered 4/10 35aPetra Börner, Moonray, Face Paint (profile), 2024£ 600.00
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Petra BörnerNovo, Face Paint (hand), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Signed, titled and numbered 9/10 39aPetra Börner, Novo, Face Paint (hand), 2024£ 600.00 -
Petra BörnerOrangechalk, Face Paint (profile), 2024Screen-print on mixed media (acrylic paint on varied paper)51 x 40.5 cm
Series: 9/10 35aSigned, Titled and NumberedPetra Börner, Orangechalk, Face Paint (profile), 2024Sold -
Petra BörnerOrangeeye, Face Paint (hand), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Signed, titled and numbered 7/10 39aPetra Börner, Orangeeye, Face Paint (hand), 2024£ 600.00 -
Petra BörnerParty, Face Paint (hand), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Signed, titled and numbered 4/10 39aPetra Börner, Party, Face Paint (hand), 2024£ 600.00 -
Petra BörnerPinkcloud, Face Paint (profile), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Signed, titled and numbered 10/10 35aPetra Börner, Pinkcloud, Face Paint (profile), 2024£ 600.00 -
Petra BörnerPurple, Face Paint (hand), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Series: 2/10 39aSigned, titled and numbered 2/10 39aPetra Börner, Purple, Face Paint (hand), 2024£ 600.00 -
Petra BörnerRedGreen, Face Paint (hand), 2024Screenprint and mixed media on paperSheet size 51 x 40.5 cmSigned, titled and numbered 1/10 39aPetra Börner, RedGreen, Face Paint (hand), 2024£ 600.00
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Petra BörnerSky, Face Paint (profile), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Signed, titled and numbered 1/10 35aPetra Börner, Sky, Face Paint (profile), 2024£ 600.00 -
Petra BörnerStrobe, Face Paint (profile), 2024Screen-print on mixed media (acrylic paint on varied paper)Sheet size: 51 x 40.5 cm
Signed, titled and numbered 3/10 35aPetra Börner, Strobe, Face Paint (profile), 2024£ 600.00 -
Petra BörnerTriko, Face Paint (profile), 2024Screenprint and mixed media on paperSheet size 51 x 40.5 cmSigned, titled and numbered 7/10 35aPetra Börner, Triko, Face Paint (profile), 2024£ 600.00
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Rachel HowardPorphura, 2011Silkscreen on Somerset Tub Sized85 x 61 cm
Edition of 75Signed and numberedRachel Howard, Porphura, 2011£ 600.00 -
Ray RichardsonClobber, 20152 colour reduction linocut on Japanese Ho Sho paper15 x 40 cmEdition of 30Signed and numberedRay Richardson, Clobber, 2015£ 400.00
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Ray RichardsonThis Sporting Life, 2015Etching with sugar lift aquatint on copper hand coloured by artist on Hahnemuhle Etching 300gsm paper20 x 40 cm
Edition of 30Signed, titled and numberedRay Richardson, This Sporting Life, 2015£ 360.00 -
Ray Richardson‘Ansome, 2015Etching with aquatint on copper hand coloured by artist on Hahnemuhle Etching 300gsm paper. Signed, numbered and titled35 x 35 cm
Edition of 30Ray Richardson, ‘Ansome, 2015£ 360.00 -
Ray RichardsonB-Dink, 1991Etching, signed, titled, numbered25.5 x 30.5 cm£ 600.00
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Ray RichardsonB-Dink, 1991Etching, signed, titled, numberedMounted and cut down from the original sizeAP signed and titled£ 600.00
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Ray RichardsonDon’t make me Laugh, 1991Etching on Hahnemuhle Etching 300gsm paper30.5 x 25.5 cmEdition of 40Signed, titled and numberedRay Richardson, Don’t make me Laugh, 1991£ 480.00
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Ray RichardsonDon’t make me Laugh, 1991Etching, signed, titled, numbered25.5 x 30.5 cmAP signed and titled and numbered. Mounted and cut down from the original size£ 600.00
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Ray RichardsonEastenders, 1991Hand-painted etching on Hahnemuhle Etching 300gsm paper30.5 x 25.5cmEdition of 40Signed, titled and numberedRay Richardson, Eastenders, 1991£ 480.00
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Ray RichardsonEastenders, 1991Etching, signed, titled, numberedMounted and cut down from the original sizeEdition of 40AP signed and titled and numbered.£ 600.00
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Ray RichardsonThe Voyeurs, 1991Etching, signed, titled, numbered43 x 25 cmEdition of 40£ 480.00
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Ray RichardsonThe Young Unknown, 1991etching, signed, titled and numbered43.2 x 25cm
Edition of 40£ 480.00 -
Ray RichardsonThere is a fly in my soup, 1991Etching, signed, titled, numbered30.5 x 25.5 cm£ 600.00
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Ray RichardsonThere is a fly in my soup, 1991Etching, signed, titled, numbered30.5 x 25.5 cmAP signed and titled and numbered. Mounted and cut down from the original size£ 600.00
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Ray RichardsonThe Hat Caper, 1990Hand-painted etching on Hahnemuhle Etching 300gsm paper45 x 38 cm
17.7 x 15 inEdition of 40Signed, titled and numberedRay Richardson, The Hat Caper, 1990£ 520.00 -
Ray RichardsonThe Robbers’ Day Out, 1990etching, signed, titled and numbered31 x 25.3 cm
Edition of 40£ 480.00 -
Reece JonesA Look Your Smile Can't Disguise, 2019Charcoal and polymer varnish on conservation board41 x 31.8 cmSigned, titled and dated£ 2,400.00
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Reece JonesThis Look Will Hurl My Soul From Heaven, 2019Charcoal and polymer varnish on conservation board184 x 154 cm
Signed, titled and dated£ 30,000.00 -
Reece JonesZeit, 2018Charcoal and polymer varnish on museum board70 x 56 cmSigned, titled and dated£ 4,200.00
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Reece JonesDoes A One Legged Duck Swim In Circles?, 2015Hand pressed linocut on off-white Zerkall paper. Signed and numbered.Sheet Size: 38 x 27 cm
Edition of 20£ 360.00 -
Reece JonesDoes A One Legged Duck Swim In Circles? II, 2015Hand pressed linocut on off-white Zerkall paper. Signed and numberedSheet size: 38 x 27 cm
Edition of 20Reece Jones, Does A One Legged Duck Swim In Circles? II, 2015£ 360.00 -
Richard PlattPlaying Pinball, c.1950Three colour lithograph37.5 x 28cmSigned and inscribed by the artist's widow Diane Platt
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S H RazaTree and Bindu, 2008Lithograph on wove paper109.5 x 54.5 cmEdition of 150Signed and numbered from the edition of 150 in white pencil, published by ‘La Différence’, with their ink stamp on verso
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Said AdrusZeitgeist, 2022Silkscreen on paper55 x 64 cmEdition of 40 plus 10 artist's proofsSigned and numberedSaid Adrus, Zeitgeist, 2022£ 480.00
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Sarah HardacreWe Delight in the Beauty of the Butterfly, but Rarely Admit the Changes it has Gone Through to Achieve that Beauty, 2023Digital Ink Jet Print133 x 63.5 cmEdition of 25Signed and numbered on the versoSarah Hardacre, We Delight in the Beauty of the Butterfly, but Rarely Admit the Changes it has Gone Through to Achieve that Beauty, 2023£ 480.00
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Sarah HardacreA Bittersweet Reminder of the Flowers They Could've Been, 2021Paper Collage: digital print of an internet image and House of St Barnabas interior29 x 17.5 cmSigned, titled and datedSarah Hardacre, A Bittersweet Reminder of the Flowers They Could've Been, 2021£ 960.00
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Sarah HardacreAll my eye and Betty Martin, 2021Paper Collage: digital print of an internet image and House of St Barnabas interior
29 cm x 36.5 cm
Framed 60 x 42.5 cmSarah Hardacre, All my eye and Betty Martin, 2021£ 1,200 inc. VAT framed -
Sarah HardacreI Didn't Know You Could Read Margaret, 2021Paper collage: digital print of an internet image and House of St Barnabas interior30 x 21 cm
Framed 41 x 32.5 cmSigned, titled and dated on versoSarah Hardacre, I Didn't Know You Could Read Margaret, 2021£ 1,200 inc. VAT framed -
Sarah HardacreI Know I've Done Some Foolish Things, 2021InkjetSheet size: 74.5 x 45.5cmEdition of 50 plus 7 artist's proofsSigned, titled and datedSarah Hardacre, I Know I've Done Some Foolish Things, 2021£ 480.00
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Sarah HardacreI Think What My Mother Thought, 2021Paper Collage: digital print of an internet image and House of St Barnabas exterior46 x 28.5 cm
Framed 57 x 40 cmSigned titled and dated on versoSarah Hardacre, I Think What My Mother Thought, 2021£ 1,200 inc. VAT framed -
Sarah HardacreI was hit by arrows from everywhere, 2021Paper Collage: digital print of an internet image and House of St Barnabas interior.29.5 x 21cmSigned, titled and datedSarah Hardacre, I was hit by arrows from everywhere, 2021£ 960.00
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Sarah HardacreSomeone has to make the dinners and sort the socks, 2021Paper Collage: digital print of an internet image and House of St Barnabas interior40 x 29 cm
Framed 60 x 42.5 cmSigned, titled and datedSarah Hardacre, Someone has to make the dinners and sort the socks, 2021£ 1,200 inc. VAT framed -
Sarah HardacreThe Country airs could indeed have circulated with a reasonably Vigorous freedom, 2021Paper Collage: digital print of an internet image and House of St Barnabas interior30 cm x 16.5 cm
Framed 45.5 x 36 cmSigned, titled and datedSarah Hardacre, The Country airs could indeed have circulated with a reasonably Vigorous freedom, 2021£ 1,200 inc. VAT framed -
Sarah HardacreThe people who were close to her struggled to describe her. Nobody could quite keep the fantasy and the reality of her in their heads at the same time, 2021Paper Collage: digital print of an internet image and House of St Barnabas interior
20.5 x 27 cmSigned, titled and datedSarah Hardacre, The people who were close to her struggled to describe her. Nobody could quite keep the fantasy and the reality of her in their heads at the same time, 2021£ 960.00 -
Sarah Hardacre"Feast your eyes”, she said victualling visually, 2020Paper collage17.7 x 23.7cmSigned, titled and datedSarah Hardacre, "Feast your eyes”, she said victualling visually, 2020£ 480.00
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Sarah Hardacre'I Don’t Know What I Want to be and I’m Still Not Sure of What I am’, 2020Paper collage: magazine cutting, digital print of a photographic slide and G.F. Smith Gmund Action Alpine Sparkling Water 310gsm paper.
Mobberley Tower, The University of Manchester, Oxford Road
Architects: J.S. & J.W. Beaumont Built: 1960-1965
Penthouse: Vol. 2 No. 1, September 1966
Model: Amber Dean-Smith30 x 25.5cmSigned, titled and datedSarah Hardacre, 'I Don’t Know What I Want to be and I’m Still Not Sure of What I am’, 2020£ 840.00 -
Sarah Hardacre'I Mean, I think I’m Worth It N’est-Ce-Pas?', 2020Paper collage: photographic print of an archive slide, magazine double page spread.
'Maisonettes on the roof of the north section of the Manchester Arndale Centre, photographed in May 1985. The architect for the centre was Wilson & Womersley'
Cromford Court, Manchester
Penthouse: Vol. 9 No. 1, 1974
Model: Marie Ekorre22.7 x 34.1 cmSigned, titled and datedSarah Hardacre, 'I Mean, I think I’m Worth It N’est-Ce-Pas?', 2020£ 840.00 -
Sarah Hardacre'Tradition Has It that Man does Better to Rely on Evidence of His Eyes and the Judgement of His More Prosaic Senses', 2020Paper collage: photographic print of an archive slide image, magazine centrefold.
'Deck access flats and maisonettes, Hulme, 1972'
Penthouse: Vol. 2 No.1, 1966
Model: Amber Dean-Smith41.8 x 27.8 cmSigned, titled and datedSarah Hardacre, 'Tradition Has It that Man does Better to Rely on Evidence of His Eyes and the Judgement of His More Prosaic Senses', 2020£ 960.00 -
Sarah HardacreA loving and candid tribute, 2020Paper collage27.7 x 20.2cmSigned, titled and datedSarah Hardacre, A loving and candid tribute, 2020£ 480.00
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Sarah HardacreA man needs a good reason to walk a mile, 2020Paper collage17.6 x 18.4cmSigned, titled and datedSarah Hardacre, A man needs a good reason to walk a mile, 2020£ 480.00
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Sarah HardacreA Stunning Evocation, 2020Paper collage25.6 x 41.8cmSigned, titled and datedSarah Hardacre, A Stunning Evocation, 2020£ 500.00
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Sarah HardacreA Subtle Suggestion, 2020Paper collage25.5 x 34.5cmSigned, titled and datedSarah Hardacre, A Subtle Suggestion, 2020£ 500.00
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Sarah HardacreA volatile and observably voluptuous example of Volvos and smorgasbord rolled into one, 2020Paper collage38 x 33.1cmSigned, titled and datedSarah Hardacre, A volatile and observably voluptuous example of Volvos and smorgasbord rolled into one, 2020£ 500.00
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Sarah HardacreAn Exposure So Haunting, 2020Paper collage25.2 x 34.8cmSigned, titled and datedSarah Hardacre, An Exposure So Haunting, 2020£ 500.00
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Sarah HardacreAnother way is to relax, and let life flow past you, 2020Paper collage15.2 x 21.9 cmSigned, titled and datedSarah Hardacre, Another way is to relax, and let life flow past you, 2020£ 480.00
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Sarah HardacreAt some point the girls had taken over, 2020Paper collage18 x 26.2cmSigned, titled and datedSarah Hardacre, At some point the girls had taken over, 2020£ 480.00
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