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Pablo Picasso, Femme Nue Assise , 1903
Pablo Picasso, Femme Nue Assise , 1903

Pablo Picasso

Femme Nue Assise , 1903
pen and ink on paper
33.8 x 19.7 cm
framed 64 x 56.5 cm
Copyright The Artist
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Further images

  • (View a larger image of thumbnail 1 ) Thumbnail of additional image
  • (View a larger image of thumbnail 2 ) Thumbnail of additional image
See similar https://www.phillipscollection.org/collection/seated-woman-0 Phillips Collection (see additional pics in Images) 15 x 11 in.; 38.1 x 27.94 cm.Credit LineGift of Marjorie Phillips, 1984; © 2022 Estate of Pablo Picasso /...
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See similar https://www.phillipscollection.org/collection/seated-woman-0
Phillips Collection (see additional pics in Images) 15 x 11 in.; 38.1 x 27.94 cm.Credit LineGift of Marjorie Phillips, 1984; © 2022 Estate of Pablo Picasso / Artists Rights Society (ARS), New York
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Provenance

Estate of the artist

Marina Picasso, the artist’s granddaughter
Christian Zervos, Pablo Picasso, supplément aux volumes 1-5, vol. 6, Paris, 1954, no. 535, pl. 66, illustrated

Pablo Picasso drew Femme Nue Assise in 1903, at the apotheosis of his celebrated Blue period. Picasso’s Blue period is characterized by profound images of melancholy that explore the human condition and helped to cement his position at the forefront of the avant-garde. In the present composition, Picasso demonstrates his adept draughtsmanship and the expressive nature of his line, whilst areas of pentimenti offer a rare window into the working process of the master of modern art.

Picasso’s Blue period was triggered by the suicide of his close friend Carlos Casagemas in 1901. The depression that engulfed the artist was intensified by the feelings of loneliness, insecurity and financial instability felt by the young artist during his early years in Paris and Barcelona. Executed during this pivotal period within the artist’s lifetime, Femme nue assise exudes an atmosphere of reflection and the classical rendering of her face embodies the figurative style that characterizes the works from Picasso’s Blue and later Rose periods.


Literature

 Christian Zervos, Pablo Picasso, supplément aux volumes 1-5, vol. 6, Paris, 1954, no. 535, pl. 66, illustrated
Girl in a Chemise Tate text and history, https://www.tate.org.uk/research/tate-papers/28/picasso-girl-chemise

See attachments re simialr works in Musée Picasso
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