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Said Adrus, Zeitgeist, 2022

Said Adrus

Zeitgeist, 2022
Silkscreen on paper
55 x 64 cm
Edition of 40 plus 10 artist's proofs
Signed and numbered
Copyright the Artist
£ 480.00
Said Adrus, Zeitgeist, 2022
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Said Adrus, Zeitgeist, 2022
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%3Cdiv%20class%3D%22artist%22%3ESaid%20Adrus%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EZeitgeist%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2022%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ESilkscreen%20on%20paper%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E55%20x%2064%20cm%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EEdition%20of%2040%20plus%2010%20artist%27s%20proofs%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20and%20numbered%3C/div%3E
The silk-screened newspaper photograph captures the police in a scene of a civil disturbance. The print presents in dark silhouettes police figures, who appear at once apprehensively hiding behind their...
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The silk-screened newspaper photograph captures the police in a scene of a civil disturbance. The print presents in dark silhouettes police figures, who appear at once apprehensively hiding behind their riot shields and at the same time ready for the ongoing battle. For Adrus, by repurposing the pop art techniques of Robert Rauschenberg and Andy Warhol, the photograph becomes an aesthetic object, stripped from the news discourse and text, and re-presented as an art image for the gallery.

Zeitgeist is an iconic image of the racial discord and urban 1980s ‘riots’ across various British cities. While these ‘riots’ do not explain the social-political conditions for the wider racial discontent of the 1980s, they were an important catalyst in the demand for black social and political representation and justice. The ‘riots’ do symbolically mark the racial turmoil and social anger of the 1980s. By freezing a scene from the numerous urban conflicts, it symbolizes the racial antagonism of the period, as well as anticipating the continual periodic scenes of rioting since then from the Bradford riots of 2001 to the 2013 London riots. The work acts like a trigger engendering memory, the act of remembering countering the post-racial amnesia from the 1980s onwards.


Ashwani Sharma Visiting Research Fellow, Goldsmiths College
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Paul Stolper

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