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Peter Saville, Waste Painting #9, The Crown Jewels, 2003

Peter Saville

Waste Painting #9, The Crown Jewels, 2003
Iris print on somerset enhanced satin 465gsm
Diamond Dust
66 x 76.5 cm
Edition of 60
Enquire
%3Cdiv%20class%3D%22artist%22%3EPeter%20Saville%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EWaste%20Painting%20%239%2C%20The%20Crown%20Jewels%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2003%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EIris%20print%20on%20somerset%20enhanced%20satin%20465gsm%3Cbr/%3EDiamond%20Dust%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E66%20x%2076.5%20cm%3Cbr/%3E%0A%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EEdition%20of%2060%3C/div%3E
Peter Saville is a designer and ideologue who has pioneered the relationship between cultural identity and contemporary aesthetics. Long acknowledged as one of the leading graphic designers of the post-Punk...
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Peter Saville is a designer and ideologue who has pioneered the relationship between
cultural identity and contemporary aesthetics. Long acknowledged as one of the leading
graphic designers of the post-Punk period, his work articulates an astonishing refinement
of intellectual concept, the consequence of which is an enshrinement of product which
doubles as cultural commentary. Saville's aesthetic maintains a dialogue between
glamour and subversion, modernity and postmodernism, commodity and conceptualism.
Himself mythologised for own contribution to the language of contemporary taste - from
early work for the group Joy Division, through to his present explorations of the
abstracted forms of his own visual language - Saville's work for the diamond dust
portfolio performs a cultural and aesthetic audit on the very idea of The Crown Jewels.
Saville is one of the architects of contemporary cultural language, and confirms his role
as one of the unique interpreters of postmodern thought and culture.




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Provenance

Victoria & Albert Museum

Exhibitions

Exposed Exhibition, London, New Art Gallery Walsall, June 2006

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Paul Stolper

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